HD video tap and V-lock equipped Super 16mm film camera.
The SR3 is one of the most reliable S16 cameras around, a design which has been proving itself since the SR1 came out in 1975.
Our kit has a Kinotech HD-IVS MK3 video tap, viewfinder extension, heated viewfinder, 14V v-lock adapted power system with RS and D-Tap out, 3 x ARRI 16SR-3 400' Magazines, a barney, change bag, spare tins and cores, ARRI Dovetail 300mm Bottom Plate, ARRI Run Rec pistol grip, 15mm rods support, 2 x 15mm Short Extension Rod, ARRI 19mm Baseplate, 4 x Hawk-Woods 150 V-Mount Batteries with dual charger and a long side plate for mounting accessories.
The Squid and the Whale (2005) – Noah Baumbach’s drama shot on 16SR3.
American Horror Story (2011) – various episodes employed the 16SR3 alongside other ARRI cameras.
Black Swan (2010) – Darren Aronofsky’s feature included use of the 16SR3.
Supports both Standard 16 and Super 16 formats, with quick gate changeover
Frame rates: 5–75 fps (Advanced, crystal sync), 5–150 fps (High-Speed, MOS)
PL lens mount, compatible with a wide range of our PL lenses
Optional dual CCD video assist (colour or B/W) with anti-flicker module
Mirror shutter with selectable angles: 90°, 135°, 144°, 172.8°, 180°
Multidirectional viewfinder with 120° pivot (190° without assist), illuminated framelines, format markers, and warning indicators
Integrated SMPTE-compliant timecode generator in magazine
Sound level: approx. 20 dB(A) (Advanced), 27 dB(A) (High-Speed)
Coaxial magazine capacity up to 400 ft
Power: 24 V DC operation
Weight: approx. 7 kg with loaded 400 ft magazine and battery
Operating temperature: –20 °C to +50 °C
HD video tap and V-lock equipped Super 16mm film camera.
The SR3 is one of the most reliable S16 cameras around, a design which has been proving itself since the SR1 came out in 1975.
Our kit has a Kinotech HD-IVS MK3 video tap, viewfinder extension, heated viewfinder, 14V v-lock adapted power system with RS and D-Tap out, 3 x ARRI 16SR-3 400' Magazines, a barney, change bag, spare tins and cores, ARRI Dovetail 300mm Bottom Plate, ARRI Run Rec pistol grip, 15mm rods support, 2 x 15mm Short Extension Rod, ARRI 19mm Baseplate, 4 x Hawk-Woods 150 V-Mount Batteries with dual charger and a long side plate for mounting accessories.
The Squid and the Whale (2005) – Noah Baumbach’s drama shot on 16SR3.
American Horror Story (2011) – various episodes employed the 16SR3 alongside other ARRI cameras.
Black Swan (2010) – Darren Aronofsky’s feature included use of the 16SR3.
Supports both Standard 16 and Super 16 formats, with quick gate changeover
Frame rates: 5–75 fps (Advanced, crystal sync), 5–150 fps (High-Speed, MOS)
PL lens mount, compatible with a wide range of our PL lenses
Optional dual CCD video assist (colour or B/W) with anti-flicker module
Mirror shutter with selectable angles: 90°, 135°, 144°, 172.8°, 180°
Multidirectional viewfinder with 120° pivot (190° without assist), illuminated framelines, format markers, and warning indicators
Integrated SMPTE-compliant timecode generator in magazine
Sound level: approx. 20 dB(A) (Advanced), 27 dB(A) (High-Speed)
Coaxial magazine capacity up to 400 ft
Power: 24 V DC operation
Weight: approx. 7 kg with loaded 400 ft magazine and battery
Operating temperature: –20 °C to +50 °C
