Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
With a 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K offers an exceptional, filmic look to filmmakers, lightweight and versatile, the 6K is ideal for independent films, television, commercials, music videos, and documentary work.
Its ability to record in Blackmagic RAW and ProRes, paired with high dynamic range and intuitive touchscreen controls, makes it a reliable choice both as an A-camera and as a compact B- or crash camera on larger productions.
The Last of Us (HBO, 2023) – employed as a crash and B-camera for select action sequences.
Mandalorian BTS & Inserts – used on set for behind-the-scenes and insert shots due to portability.
Top Gear (BBC) – deployed for in-car rig shots where compact form was essential.
Sensor: Super 35mm size (23.1 x 12.99 mm) with 6K resolution (up to 6144 x 3456)
Dynamic Range: 13 stops
ISO: Dual native ISO up to 25,600 for low-light flexibility
Lens Mount: Canon EF mount, compatible with a wide range of cinema and stills lenses
Frame Rates:
Up to 50 fps in 6144 x 3456 (6K)
Up to 60 fps in 6144 x 2560 (6K 2.4:1)
Up to 120 fps in 2.8K cropped (2868 x 1512)
Recording Formats: Blackmagic RAW (constant quality/bitrate options), Apple ProRes 422 HQ, 422, 422 LT, Proxy
Recording Media: CFast 2.0, SD UHS-II, or external USB-C SSDs
Monitoring: 5-inch HDR touchscreen display, SDI/HDMI outputs for external monitors
Audio: Mini XLR input with phantom power, 3.5mm input, built-in stereo mics
Power: Canon LP-E6 batteries, external DC input, or via USB-C power delivery
Weight: Approx. 900 g (camera body only)
Build: Carbon fibre polycarbonate composite body with intuitive control layout
Colour Science: Generation 4 Colour Science with DaVinci Resolve integration
With a 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K offers an exceptional, filmic look to filmmakers, lightweight and versatile, the 6K is ideal for independent films, television, commercials, music videos, and documentary work.
Its ability to record in Blackmagic RAW and ProRes, paired with high dynamic range and intuitive touchscreen controls, makes it a reliable choice both as an A-camera and as a compact B- or crash camera on larger productions.
The Last of Us (HBO, 2023) – employed as a crash and B-camera for select action sequences.
Mandalorian BTS & Inserts – used on set for behind-the-scenes and insert shots due to portability.
Top Gear (BBC) – deployed for in-car rig shots where compact form was essential.
Sensor: Super 35mm size (23.1 x 12.99 mm) with 6K resolution (up to 6144 x 3456)
Dynamic Range: 13 stops
ISO: Dual native ISO up to 25,600 for low-light flexibility
Lens Mount: Canon EF mount, compatible with a wide range of cinema and stills lenses
Frame Rates:
Up to 50 fps in 6144 x 3456 (6K)
Up to 60 fps in 6144 x 2560 (6K 2.4:1)
Up to 120 fps in 2.8K cropped (2868 x 1512)
Recording Formats: Blackmagic RAW (constant quality/bitrate options), Apple ProRes 422 HQ, 422, 422 LT, Proxy
Recording Media: CFast 2.0, SD UHS-II, or external USB-C SSDs
Monitoring: 5-inch HDR touchscreen display, SDI/HDMI outputs for external monitors
Audio: Mini XLR input with phantom power, 3.5mm input, built-in stereo mics
Power: Canon LP-E6 batteries, external DC input, or via USB-C power delivery
Weight: Approx. 900 g (camera body only)
Build: Carbon fibre polycarbonate composite body with intuitive control layout
Colour Science: Generation 4 Colour Science with DaVinci Resolve integration