FOCAL | STOP | CF | FD | COVERAGE | WEIGHT |
---|---|---|---|---|---|
18mm | T2.2 | 11” | 125mm | FF | 2200g |
25mm | T2.2 | 13” | 110mm | FF | 2000g |
32mm | T2.2 | 13” | 110mm | FF | 1900g |
50mm | T2.2 | 16” | 110mm | FF | 1400g |
75mm | T2.2 | 2' 6” | 110mm | FF | 1800g |
135mm | T2.8 | 2' 9” | 110mm | FF | 2100g |
In 1935, the Director of Photography of Metro-Goldwyn Mayer studios said, “… at least 50% of our productions are made with Speed Panchros.” A true icon, which first established the optical characteristics that would one day become known as the Cooke Look. Panchro/i Classic FF evolves this further with modern opto-mechanical design.
In 1935, the Director of Photography of Metro-Goldwyn Mayer studios said, “… at least 50% of our productions are made with Speed Panchros.” A true icon, which first established the optical characteristics that would one day become known as the Cooke Look. Panchro/i Classic FF evolves this further with modern opto-mechanical design.
FOCAL | STOP | CF | FD | COVERAGE | WEIGHT |
---|---|---|---|---|---|
18mm | T2.2 | 11” | 125mm | FF | 2200g |
25mm | T2.2 | 13” | 110mm | FF | 2000g |
32mm | T2.2 | 13” | 110mm | FF | 1900g |
50mm | T2.2 | 16” | 110mm | FF | 1400g |
75mm | T2.2 | 2' 6” | 110mm | FF | 1800g |
135mm | T2.8 | 2' 9” | 110mm | FF | 2100g |