Our Zeiss Arriflex 14mm T2.0 is a great addition to our set of Super Speeds, this lens shares the same beautiful vintage feeling with a wider field of view.. Built to match the entire set in colour and contrast, it is particularly well-suited for dramatic establishing shots, dynamic interiors, and stylised wide perspectives.
Its compact and robust build makes it a go-to lens for productions requiring reliable, distortion-controlled wides, whether on digital or film cameras.
The Dark Knight (2008) – selected Ultra Primes including the 14mm were used for wide establishing shots.
Slumdog Millionaire (2008) – Ultra Primes formed part of the lens package to achieve its vivid and versatile look.
The Grand Budapest Hotel (2014) – Wes Anderson’s team employed Ultra Primes for their precision and uniformity, with wide lenses like the 14mm key to the film’s signature symmetry.
Our Zeiss Arriflex 14mm T2.0 is a great addition to our set of Super Speeds, this lens shares the same beautiful vintage feeling with a wider field of view.. Built to match the entire set in colour and contrast, it is particularly well-suited for dramatic establishing shots, dynamic interiors, and stylised wide perspectives.
Its compact and robust build makes it a go-to lens for productions requiring reliable, distortion-controlled wides, whether on digital or film cameras.
The Dark Knight (2008) – selected Ultra Primes including the 14mm were used for wide establishing shots.
Slumdog Millionaire (2008) – Ultra Primes formed part of the lens package to achieve its vivid and versatile look.
The Grand Budapest Hotel (2014) – Wes Anderson’s team employed Ultra Primes for their precision and uniformity, with wide lenses like the 14mm key to the film’s signature symmetry.
| FOCAL | STOP | CF | FD | COVERAGE | WEIGHT |
|---|---|---|---|---|---|
| 14mm | T2 | 9” | 114mm | S35 | 1500g |
