With ARRI’s new ALEV 4 sensor, our Alexa 35 pushes the Alexa line further, offering 2.5 extra stops of dynamic range, stunning low-light imaging, richer colors and film-like highlight handling.
17 stops of dynamic range — more detail in highlights and shadows.
REVEAL Colour Science and ARRI Textures
More flexibility on set, simpler post-production, and top-notch HDR.
Barbie (2023) – shot by Rodrigo Prieto ASC AMC, pairing ALEXA 35 with other ARRI systems.
Poor Things (2023) – Robbie Ryan BSC ISC used the ALEXA 35 to capture the film’s painterly visuals.
The Killer (2023) – David Fincher and DOP Erik Messerschmidt ASC deployed it for precision and latitude.
Saltburn (2023) – shot by Linus Sandgren FSF ASC, utilising the ALEXA 35’s rich colour reproduction.
Super 35 format ALEV 4 CMOS sensor, 27.99 × 19.22 mm
Effective resolution: 4608 × 3164 (4.6K)
17+ stops of dynamic range, ARRI’s widest to date
Native 800 ASA with enhanced EI range from 160–6400
Recording formats: ARRIRAW and Apple ProRes up to 4.6K
Frame rates: up to 120 fps (depending on recording mode)
Lens mounts: LPL (native), with PL, EF, and other adapters available
Recording media: Codex Compact Drives (1 TB and 2 TB)
ARRI REVEAL Colour Science with new LogC4 and LUTs
Compact body approx. 2.9 kg (camera body only)
Multiple monitoring outputs including 12G-SDI
Advanced metadata support for VFX and virtual production
Wide operating temperature range: –20 °C to +45 °C
Power input: 10.5–34 V DC, supporting on-board and block battery solutions
With ARRI’s new ALEV 4 sensor, our Alexa 35 pushes the Alexa line further, offering 2.5 extra stops of dynamic range, stunning low-light imaging, richer colors and film-like highlight handling.
17 stops of dynamic range — more detail in highlights and shadows.
REVEAL Colour Science and ARRI Textures
More flexibility on set, simpler post-production, and top-notch HDR.
Barbie (2023) – shot by Rodrigo Prieto ASC AMC, pairing ALEXA 35 with other ARRI systems.
Poor Things (2023) – Robbie Ryan BSC ISC used the ALEXA 35 to capture the film’s painterly visuals.
The Killer (2023) – David Fincher and DOP Erik Messerschmidt ASC deployed it for precision and latitude.
Saltburn (2023) – shot by Linus Sandgren FSF ASC, utilising the ALEXA 35’s rich colour reproduction.
Super 35 format ALEV 4 CMOS sensor, 27.99 × 19.22 mm
Effective resolution: 4608 × 3164 (4.6K)
17+ stops of dynamic range, ARRI’s widest to date
Native 800 ASA with enhanced EI range from 160–6400
Recording formats: ARRIRAW and Apple ProRes up to 4.6K
Frame rates: up to 120 fps (depending on recording mode)
Lens mounts: LPL (native), with PL, EF, and other adapters available
Recording media: Codex Compact Drives (1 TB and 2 TB)
ARRI REVEAL Colour Science with new LogC4 and LUTs
Compact body approx. 2.9 kg (camera body only)
Multiple monitoring outputs including 12G-SDI
Advanced metadata support for VFX and virtual production
Wide operating temperature range: –20 °C to +45 °C
Power input: 10.5–34 V DC, supporting on-board and block battery solutions
