The Mini LF is the gold standard of large format cinematography.
With native 4K recording in various formats, the Mini LF excels in producing vivid images with natural skin tones. Its LPL lens mount, optimised for large-format capture, works with all PL-mount lenses, making it versatile for a wide range of cinematic applications.
With plenty of accessories and rigging options included in our kits, you’ll be up and shooting in no time in whichever configuration your production calls for.
The Mandalorian (2019) – heavily employed for its compact build and reliability on LED volume stages.
Nope (2022) – Jordan Peele’s feature incorporated the Mini LF.
Euphoria (2019) – Season 2 employed the Mini LF alongside 35 mm film for visual contrast.
Large-format 36.7 × 25.54 mm ALEV III CMOS sensor (similar to ALEXA LF)
Effective resolution: 4448 × 3096 (Open Gate), up to 4.5K recording
14+ stops of dynamic range with natural highlight roll-off
Supports ARRIRAW and Apple ProRes recording internally
Lens mounts: LPL (native), PL and EF adapters available
Recording media: Codex Compact Drive 1 TB and 2 TB
Frame rates: up to 90 fps in 4.5K Open Gate, up to 200 fps in 2K ProRes
Multiple recording formats including Open Gate, 16:9 UHD, 2.39:1, and 16:9 HD
Compact lightweight carbon-fibre body (approx. 2.6 kg camera body only)
Extensive monitoring outputs with SDI, power, and accessory ports
Wireless camera and lens control with ARRI WCU-4 compatibility
Wide operating temperature range: –20 °C to +45 °C
Power: 10.5–34 V DC input, compatible with on-board batteries and block power
The Mini LF is the gold standard of large format cinematography.
With native 4K recording in various formats, the Mini LF excels in producing vivid images with natural skin tones. Its LPL lens mount, optimised for large-format capture, works with all PL-mount lenses, making it versatile for a wide range of cinematic applications.
With plenty of accessories and rigging options included in our kits, you’ll be up and shooting in no time in whichever configuration your production calls for.
The Mandalorian (2019) – heavily employed for its compact build and reliability on LED volume stages.
Nope (2022) – Jordan Peele’s feature incorporated the Mini LF.
Euphoria (2019) – Season 2 employed the Mini LF alongside 35 mm film for visual contrast.
Large-format 36.7 × 25.54 mm ALEV III CMOS sensor (similar to ALEXA LF)
Effective resolution: 4448 × 3096 (Open Gate), up to 4.5K recording
14+ stops of dynamic range with natural highlight roll-off
Supports ARRIRAW and Apple ProRes recording internally
Lens mounts: LPL (native), PL and EF adapters available
Recording media: Codex Compact Drive 1 TB and 2 TB
Frame rates: up to 90 fps in 4.5K Open Gate, up to 200 fps in 2K ProRes
Multiple recording formats including Open Gate, 16:9 UHD, 2.39:1, and 16:9 HD
Compact lightweight carbon-fibre body (approx. 2.6 kg camera body only)
Extensive monitoring outputs with SDI, power, and accessory ports
Wireless camera and lens control with ARRI WCU-4 compatibility
Wide operating temperature range: –20 °C to +45 °C
Power: 10.5–34 V DC input, compatible with on-board batteries and block power
